Review·by Estelle Normand·July 26, 2026

Toutes les vies, by Rebeka Warrior

On Toutes les vies (Éditions Stock)

A story of rare intensity about love, illness and grief, an uncompromising laying bare: a moving text, difficult but necessary.

Toutes les vies, de Rebeka Warrior

First book by Rebeka Warrior (2025), Éditions Stock, 286 pages.

Nothing prepares you for the illness or the death of the person you love. There is no predicting how we will react, whether we will stand by them or desert them. What we are able to endure on the threshold of nothingness.

The author looks back on her whirlwind love story with Pauline. Life at full speed, the fusion of bodies and hearts. And then the lump discovered on vacation, to which they pay no particular attention at the time. Their carefree days. A month, a speck in a lifetime.

Back in Paris, the couple’s hopes are dashed. The cancer has set in. Emergency protocol. Hardcore treatments. Chemo. What it does to the bodies of the one who is ill and of the one who cares for her. The unbearable metamorphosis. Love in spite of everything, against all odds. The pain. Immense. The helplessness.

A story of rare intensity, an uncompromising laying bare that hides nothing of the descent into hell, the wanderings and the acts of cowardice. It is also a story full of light, a quest: to find Pauline again after her death, by whatever means. Meditation, dr*gs, writing. The overwhelming need to commune. To be guided. Love and friendship along the way, never far.

A moving text, difficult but necessary.

Download as PDF

You might also like

All videos →
Décolorer sa fille, de Lucie Bérard

Review·by Estelle Normand·October 30, 2026

Décolorer sa fille, by Lucie Bérard

Lucie Bérard's debut novel follows Paula, adrift by the sea between memories and chemical blondness: a complex heroine with a caustic eye.

Une bête à ton tour, d'Anna Haillot (Les Avrils)

Review·by Estelle Normand·October 28, 2026

Une bête à ton tour, by Anna Haillot

In language as punchy as it is visceral, the author takes apart the alienating, crushing machinery of the factory: its violence, its absurdity, and the inhumanity of its working conditions and its bosses.